The number of concerts that happen on a nightly basis can cause a “low key” show to be passed up. A prime example that’s been overlooked: Baths, Dosh, El Ten Eleven at Knitting Factory. Not only did each artist put out great albums in 2010, they put on one of the best shows this year. But where’s the coverage? A firsthand look at the skills that separate them from manufactured acts, their live sets told why they teamed up to begin with.

All three build their soundscapes one layer at a time, starting from one note, sample or single instrument canvas and gradually create a multidimensional song. Amazing considering the acts are powered by only one or two members and even as counterparts, found a twist to throw onto the shared method. Plugging away at his MPC, Baths is all action – blending dream-like dance beats with an infusion of uncommon vocal pitches. Will Wiesenfeld twisted and turned his body – a physical response to his craft – making his animated charisma shine. Next up was a mix of looped beats with live piano and drumming from Dosh. Martin Dosh’s dexterous and fluid experimental sounds served as a soundtrack to the backdrop of video footage. This newly introduced element allowed a solo Dosh to hide behind his silhouette, giving the music full control to keep the audience locked in. El Ten Eleven was a pleasant surprise all around. A combination of post-rock and electronic dance with parts Explosions in the Sky and parts Digitalism. Kristian Dunn ran around the stage, one minute playing bass, strumming on his double neck guitar next then suddenly you would hear strings and sure enough, there he was sliding a bow across his guitar strings. It has been said that they are “the hardest working band out there” and their live show proves it.

Special Thanks to Tim Plumley (Ink-Tank PR), Joshua Fisher (Heart Music Group) and Daniel Gill (Force Field PR)